Annual display of some of the characters I’ve created in spare time during the now eight years with ZBrush.
This year has been very fruitful in the aspect of 3D expression, with numerous highlights and features from my mother forum ZBrush Central, as well as other great forums such as CG society, 3D total, CG+ and others. It has also been another year in which I’ve learned (again) the hard way about much more important things, and that fulfillment doesn’t lie in either rewards or recognition, but in being true to one’s inner self, more so finding time and space to discover it.
Snoke got his asymmetrical topology in 3D Coat – double the time double the fun! I’ve thrown in the progress images of the sculpt as well.
Creating an accurate ear with ZBrush Imagine an ear as a flat thin surface of paper, if you crumple that paper the forms on the back will still reflect what is on the front – the same rule applies to a human ear – test by touching the front with your index finger and the back with your thumb (hope you have fingers and an ear), with exception that the features in the back are not as prominent as those in the front, but as you will find for every peak there is a valley.
Due to my dissatisfaction in not doing it right, and not to waste time on matching the back to fit the front, or completely abandoning the back as is mostly the case from what I’ve seen from others even on triple A games and movies – I’ve came up with this shortcut which doesn’t only give and accurate relationship between the front and the back of the ear, but also renders correct SSS in software like Keyshot.
A friend for Kylo. A speed sculpt from a sphere to loosen up form the technicality of Kylo in game model.
Plus some ideas for a connected story – a face behind the mask, and the brain behind the mask
In game Kylo Ren I took this project further and created an in game version; low poly cages with 3D-Coat, baked high poly information with xNormal, textured with Substance Painter and lastly real time rendered in Marmoset Toolbag 2. Original model was created with ZBrush.
Discworld’s Moist Von Lipwig, a new one to take a break from the work. Work in progress.
Abby Normal A new work in progress, ZBrush primitives as starting points…stay tuned for updates.
After quite some time I found it in my heart to create another Discworld character. This is my interpretation, and was a bumpy road having created a face I didn’t really see fit, and after meeting someone on my vacation and feeling she is a perfect match for Mrs. Evande Cake, redoing it and wrapping it finally up. Hope you enjoy :)
Something different for a nice change – a sculpt in Super Sculpey polymer clay, preceded and inspired by picking tooth-like stones at the beach, for which the clay mandible as a stand idea arose.
A new fun project I’ve started in my free time, a Seinfeld Curse of Monkey island crossover. I always felt there are some similarities between the characters, so making it happen :)
A single day portrait of Jiddu Krishnamurti. ZBrush + 3D coat topo + Keyshot render. Thanks to texturing.xyz for letting me test the displacement maps
Finished the “Star Wars: TFA” Fan art project. Hope you enjoy :)
Software used: ZBrush, 3D-Coat, 3Ds Max, Keyshot
Got a chance to meet my two heroes this year at Reboot Develop in Split. Patrice Desilets is an inspiration and an eye opener for so many things in my life, and signed this picture of me climbing a church tower (with a quick paintover). Tim Schafer really enjoyed the shirt with a fan art of Glottis I made for him :) Easily the best 4 days I have had this year, thanks to Finder for taking me with them to present Wacoms and Zbrush, to marvelously unique people I’ve had a pleasure to meet, and to everyone making Reboot Develop happen!
Some new characters, some old with a face lift :)
So happy about this, a feature from Pixologic:
Thanks to Daniel Knight for this interview – we’ve covered a lot about 3d and non 3D, so be sure to check it out :)
A model created as a step by step tutorial for Vidi magazine. Full tutorial in Croatian is now available in digital format and can be found free at Vidi website: http://vidilab.com/how-to/1552-zbrush-stvaranje-3d-lika-za-igru-ili-cinematic
FN-2187 Modeled in ZBrush with help of 3dsMax and 3d-Coat, with render in Keyshot. With some progress images.
Full resolution 5000 X 6000 here: http://leppee.deviantart.com/art/FN-2187-586893145
First work of 2016 – Rey. The same approach as Adam Driver / Kylo Ren (one post below).